Being a war photographer was an instinct rather than a decision. With the outbreak of the conflict in Yugoslavia, Vandenhove takes his camera and moves to zero zone making photojournalism in another dimensional layer, an intimate one that surpasses the visual record that undergoes a metamorphosis from the photographic to the pictorial. Preserving its experiential imprint on the yugoslavian ground walked. The landscape is not the same for everyone, the perception that each individual has about it changes contextually, the sense of belonging that it means in its raw or natural state or the space alienated by the human being, is different from the deep.